Books:

Loshitzky Yosefa, Screening Strangers: Migration and Diaspora in Contemporary European Cinema (Indiana University Press, 2010).

http://www.iupress.indiana.edu/product_info.php?products_id=176732

Loshitzky Yosefa, Identity Politics on the Israeli Screen (The University of Texas Press, 2001). *A Choice Outstanding Academic Book of 2002.*

http://utpress.utexas.edu/index.php/books/loside

Loshitzky Yosefa, (ed.), Spielberg's Holocaust: Critical Perspectives on Schindler's List (Indiana University Press, 1997).

http://www.iupress.indiana.edu/product_info.php?products_id=20999

Loshitzky Yosefa, The Radical Faces of Godard and Bertolucci (Wayne State University Press, 1995).

http://www.amazon.com/Radical-Godard-Bertolucci-Contemporary-Approaches/dp/0814324479

Books in preparation:

Loshitzky Yosefa, Just Jews? Antisemitism and Islamophobia in Contemporary Culture and Beyond

Guest Editor:

Loshitzky Yosefa, guest editor of a special issue of Third Text Vol.  20, No. 6, (November 2006), on “Fortress Europe: Migration, Culture and Representation”.  ISSN 0952-8822

http://thirdtext.org/issues?item_id0=660&issue_number=Volume%2020,%202006&offset=0

Referred Journal Articles:

Loshitzky Yosefa, “Screening Strangers in Fortress Europe and Beyond,” Crossings: Journal of Migration and Culture, Vol.  5, Nos. 2&3 (2014), pp.  187-199.

Loshitzky Yosefa, “Popular Cinema as Popular Resistance: Avatar in the Palestinian Imagi(nation),” Third Text, 115, Vol. 26, No. 2, (March, 2012), pp. 151-163.  

Loshitzky Yosefa, “The Post-Holocaust Jew in the Age of the ‘War on Terror’: Steven Spielberg’s Munich,” Journal of Palestine Studies, Vol. XL, No. 2 (Winter 2011), pp. 77–87.

Loshitzky Yosefa, “Fortress Europe: Introduction,” Third Text, Vol. 20, No. 6 (November 2006), pp.  629-634. Special Issue on “Fortress Europe: Migration, Culture and Representation,” Guest Editor: Yosefa Loshitzky.

Loshitzky Yosefa, “Journeys of Hope to Fortress Europe,” Third Text, Vol. 20, No. 6  (November 2006), pp.  743-752. Special Issue on “Fortress Europe: Migration, Culture and Representation,” Guest Editor: Yosefa Loshitzky.  Translated to Danish in Yosefa Loshitzky, “Habets rejser: Filmiske fremstillinger af Fort Europa,” Kosmorama: Tidsskrift for filmkunst of filmkultur, Nr. 247 (sommer 2011), pp.  33-45.  Special Issue on “Det ny Europa.”

Loshitzky Yosefa, “Pathologising Memory: From the Holocaust to the Intifada,” Third Text Vol.  20, Nos. 3-4 (May/July 2006), pp. 327-335.

Loshitzky Yosefa, “The Post-Holocaust Jew in the Age of Post-colonialism: La Haine Revisited,” Studies in French Cinema Vol. 5, No. 2 (2005), pp. 137-147.

Loshitzky Yosefa, “Quintessential Strangers: The Representation of Romanies and Jews in Some Holocaust Films,” Framework, Vol. 44, No.  2 (Fall 2003), pp. 57-71.

Loshitzky Yosefa,  "A Tale of Three Cities: Amos Gitai's Urban Trilogy," Framework, Vol. 43, No. 1(Spring 2002), pp.  134-151. Republished in French: “Histoire de trois villes: La trilogie urbaine,” in CinemaAction: Amos Gitai entre terre et exil (Corlet Publications, 2009), pp.  124-131.

Loshitzky Yosefa, "National Rebirth as a Movie: Exodus Revisited," National Identities, Vol.  4, No. 2 (July 2002), pp. 119-131.

Loshitzky Yosefa, "Forbidden Love in Israeli Cinema," Theory and Criticism 18(Spring 2001), pp. 101-108 (in Hebrew).

Loshitzky Yosefa, "Constructing and Deconstructing the Wall," Clio: A Journal of Literature, History and the Philosophy of History, Vol. 26, No. 3 (Spring 1997): 276-296.

Loshitzky Yosefa, "Travelling Culture/Travelling Television," Screen Vol. 37, No.  4 (Winter 1996): 323-335.

Loshitzky Yosefa, "Authenticity in Crisis: Shur and New Israeli Forms of Ethnicity," Media, Culture and Society Vol.  18, No. 1 (January 1996): 87-103.

Loshitzky Yosefa, "Ways of Seeing the Intifada: The Case of Nahalin," Journal of Film and Video, Vol.  47, No.  4 (Winter 1995-96): 33-45.

Loshitzky Yosefa, "Inverting Images of the 40s: The Berlin Wall and Collective Amnesia," Journal of Communication Vol. 45, No. 2  (Spring 1995): 93-107.

Loshitzky Yosefa, "The Text of the Other - the Other in the Text: The Palestinian Delegation's Address to the Madrid Middle East Peace Conference," Journal of Communication Inquiry Vol. 18, No.  1 (Winter 1994): 27-44.

Loshitzky Yosefa, "From Orientalist Discourse to Family Melodrama: Oz and Volman's My Michael." Edebiyat: A Journal of Middle Eastern Literatures, Vol. 5, No. 1 (1994): 99-123.

Loshitzky Yosefa, "L'Intifada dans les actualites televisees: Le cas de Nahalin." Communication et Langages, No.  99 (1994): 4-19.

Danet Brenda, Loshitzky Yosefa and Israeli-Bechar Havah, "Masking the Mask: An Israeli Response to the Threat of Chemical Warfare" Visual Anthropology, Vol.  6, No. 3 (Fall 1993): 229-270.    

Loshitzky Yosefa, "The Bride of the Dead: Phallocentrism and War in Kaniuk and Gutman's Himmo, King of Jerusalem." Literature/Film Quarterly, Vol. 21, No.  3 (1993): 218-229.

Loshitzky Yosefa, "The Tourist/Traveler Gaze: Bertolucci and Bowles' The Sheltering Sky." East-West Film Journal, Vol. 7, No. 2 (July 1993): 110-132.

Loshitzky, "Plato's Cave and the Cinema." Studio 43 (May 1993): 31-34 (in Hebrew).

Loshitzky Yosefa, "Die Braut des Todes: Phallozentrismus und Krieg Zu Amos Gutmans Film und Yoram Kaniuks Roman "Himmo, der Konig von Jerusalem." Babylon, Vol. 10-11 (October 1992), 45-58. 

Loshitzky Yosefa and Meyouhas Raya,  "'Ecstasy of Difference': Bertolucci's The Last Emperor." Cinema Journal, Vol. 31, No.  2 (Winter 1992): 26-44.

Loshitzky Yosefa, "More than Style: Godard's Modernism versus Bertolucci's Postmodernism." Criticism, Vol.  XXXIV, No.  1 (Winter 1992): 119-142.

Loshitzky Yosefa, "The Articulation of Historical Memory in Bertolucci's Cinema." Zmanim: A Historical Quarterly, Vol. 39-40 (Winter 1991): 92-99 (in Hebrew).

Loshitzky Yosefa,  "The Intifada as a Meta-Televisual Dialogue." Media, Culture and Society, Vol. 13, No. 4 (October 1991): 557-571.

Loshitzky Yosefa, "`Memory of My Own Memory': Processes of Private and Collective Remembering in Bertolucci's The Spider Stratagem and The Conformist."  History and Memory,Vol.  3, No.  2 (Fall 1991): 87-114.

Chapters in books:

Loshitzky Yosefa, “Diaspora and European Identity,” in The Routledge Companion to Film and Politics, eds., Yannis Tzioumakis and Claire Molloy, Routledge (forthcoming). 

Loshitzky Yosefa, “Just Jews? The Legacies of the Holocaust and Colonialism in Mathieu Kassovitz’s La Haine and Steven Spielberg’s Munich,” in Claudia Bruns and Michaela Hampf, Wissen - Transfer – Differenz: Transnationale und interdiskursive Verflechtungen von Rassismus ab 1700 (Wallstein Verlag, forthcoming).

Loshitzky Yosefa, “Screening the Birth of a Nation: Exodus Revisited,” in Lawrence Baron (ed.) Modern Jewish Experiences in World Cinema (Boston: Brandeis University Press, 2011), pp.  237-244 (abridged from chapter one in Loshitzky, Identity Politics on the Israeli Screen).

Loshitzky Yosefa, “Heidiland in Palestine,” in Andrew C Sparkes (ed.), Auto/Biography Yearbook 2010 (Nottingham: Russell Press, 2011).  British Sociological Association, Auto/Biography Study Group, pp.  68-77. 

Loshitzky Yosefa,  “Veiling and Unveiling the Israeli Mediterranean: Yulie Cohen-Gerstel’s My Terrorist and My Land Zion,” in Flavia Laviosa (ed.), Visions of Struggle in Women’s Filmmaking in the Mediterranean (New York: Palgrave MacMillan, 2010), pp.  3-19.

Loshitzky Yosefa, "Forbidden Laughter? The Politics and Ethics of the Holocaust Film Comedy," in Ronit Lentin (ed.), Re-Presenting the Shoah for the 21st Century (Oxford and New York: Berghahn Books, 2004), pp.  127-138. Also in a slightly different version in Sylvie Crinquand (ed.), Par Humour de soi (Editions Universitaires de Dijon, 2004), pp.  253-262.

Loshitzky Yosefa,  "Verbotenes Lachen: Die Politik und Etik der Holocaust-Filmkomodie," in Margrit Frolich, Hanno Loewy and Heinz Steinert (eds.), Lachen uber Hitler - Auschwitz-Gelachter? Filmkomodie und Holocaust (Edition Text + Kritik, 2003), pp.  21-36.

Loshitzky Yosefa, "The Intifada as a Meta-Televisual Dialogue" and "Authenticity in Crisis: Shur and New Israeli Forms of Ethnicity," in Tamar Liebes and Miri Talmon (eds.), Culture and Communication (Tel Aviv: The Open University Press, 2003), Vol. I,  pp. 47-61 and Vol. II,  pp. 402-417  (in Hebrew).  

Loshitzky Yosefa, “Afterthoughts on Mulvey's `Visual Pleasure` in the Age of Cultural Studies,” in Elihu Katz, John Durham Peters, Tamar Liebes and Avril Orloff (eds.), Canonic Texts in Media Research (Cambridge, UK: Polity Press, 2002), pp.  248-259.

Loshitzky Yosefa,  "The Intifada as a Meta-Televisual Dialogue," in Hanna Herzog and Eliezer Ben-Rafael, (eds), Language and Communication in Israel (New Brunswick, NJ and London: Transaction Publishers, 2001), pp.  461-477.

Loshitzky Yosefa, “Hybrid Victims: Second Generation Israelis Screen the Holocaust,” in Barbie Zelizer, (ed.), Visual Culture and the Holocaust (Rutgers University Press, 2001), pp.  152-175.

Loshitzky Yosefa, “Postmemory Cinema: Second Generation Israelis Screen the Holocaust in Don’t Touch My Holocaust,” in T.G Ashplant, Graham Dawson and Michael Roper, (eds.), The Politics of War Memory and Commemoration (Routledge, 2000), pp.  182-200. Republished in T.G Ashplant, Graham Dawson and Michael Roper, (eds.), The Politics of Memory: Commemorating War (New Brunswick and London:  Transaction Publishers, 2004), pp. 182-200.

Loshitzky Yosefa,  "Orientalist Representations: Palestinians and Arabs in Some Post-Colonial Film and Literature" in Elizabeth Hallam and Brian Street, (eds.), Cultural Encounters: Representing "Otherness" (Routledge, 2000), pp.  51-71.

Loshitzky Yosefa,  "Fantastic Realism: Schindler's List as Docudrama," in Alan Rosenthal, (ed.), Why Docudrama? Fact-Fiction on Film and TV, (Southern Illinois University Press, 1999), pp.  357-369.

Loshitzky Yosefa, "The Bride of the Dead: Phallocentrism and War in Himmo, King of Jerusalem" in Nurith Gertz, Orly Lubin and Judd Ne’eman (eds.), Fictive Looks - On Israeli Cinema) (Tel Aviv: The Open University Press, 1998), pp. 247-260.  (In Hebrew.  A partial translation of "The Bride of the Dead: Phallocentrism and War in Kaniuk and Gutman's Himmo, King of Jerusalem").

Loshitzky Yosefa,  “Holocaust Others: Spielberg’s Schindler’s List versus Lanzmann’s Shoah,” in Loshitzky Yosefa (ed.) Spielberg's Holocaust: Critical Perspectives on Schindler's List (Indiana University Press, 1997): 104-118.

Loshitzky Yosefa, "The Self-Reflexive Film and the Cinema of Godard." In The Medium in 20th Century Arts, (eds.), Rachel Bilski-Cohen and Baruch Blich (Jerusalem: Or Am, 1996): 207-221 (in Hebrew).

Loshitzky Yosefa, "Images of Intifada Television News: The Case of Nahalin." In Framing the Intifada: People and Media, (eds.), Akiba Cohen and Gadi Wolfsfeld, Ablex, (1993): 160-175.

Book reviews:

Shohat, Ella, Israeli Cinema: East/West and the Politics of Representation (New Edition) (I.B. Tauris, 2010), Third Text, Number 118, Vol. 26, Issue 5 (September 2012), pp.  615-618.  

Frodon Jean-Michel (ed.), Cinema and the Shoah (SUNY Press, 2010), Cineaste, Vol. XXXVI, No. 2, pp.  75-77.

Gordon, Robert, Pasolini: Forms of Subjectivity.  Oxford: Clarendon Press, 1996.  Screen, Vol. 38, No. 3 (1997), pp. 302-305.

Fairclough, Norman, Media Discourse. London and New York: Edward Arnold, 1995.   Journal of Pragmatics,Vol. 27 (1997), pp.  18-22.

Malkmus, Lizbeth &Armes, Roy, Arab and African Film Making.  London: Zed Books, 1991. Journal of Communication, Vol. 44, No. 1 (February 1994), pp. 159-162.

Exhibition catalogues and podcasts:

Loshitzky Yosefa, “In Israel von den Alpen träumen: Das Heidi aus Shikun Mapam,” in Hanno Loewy and Gerhard Milchram (eds.) Hast Du meine Alpen gesehen? Eine judische Beziehungsgeschichte,” (Did you see my Alps? A Jewish Love Story) (Bucher, 2009), pp. 404-413.  Judisches Museum Hohenems, Austria (April 26-October 4, 2009), Judisches Museum Wien, Austria, (December 16, 2009-March 15, 2010), Alpines Museum des Deutschen Alpenvreins, Munchen, Germany (April 2010-February 2011).

Interviewee for a documentary podcast for Art Angel in London, discussing the trilogy of films by Yael Bartana, "and Europe will be stunned", which call for the return of 3.3 million Jews to Poland.